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?She submitted her film and entry fee through online service Withoutabox; when the film was accepted, Gibson hustled to put the final touches in post. About 10 weeks before the 2012 MFF, she sent "Warfield" in the form of a thumb drive, along with specs. When her big night arrived, Gibson was anxious?and not because she was about to unveil a film that she'd been hyping for months to her agent, manager, family, friends, cast and crew. The venue wasn't readymade for a movie premiere: That year, the festival was screening films at The Producer's Club, a Times Square space more suited for theater work. As the lights went down and the picture came up, Gibson was horrified. "It's the wrong one!" she yelled out.

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The cohort has a history, a shared set of experiences, and usually a collection of inside jokes. Add to that the virtual certainty that the group has discussed the teacher of the current course, probably at length. The teacher has a reputation, but so does the cohort. Even though a teacher may aspire to meet the group with an open mind, she has definitely heard things about its members. Teachers and students come to every course with expectations, but they are more fixed when cohorts are involved. It often feels as though teachers have more to prove with these groups.

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"It's something positive we can do. That's all. ""When Emily was first diagnosed, I thought I'd never smile again," David Sanda said. "But we're really OK now. We're happy. Chances are you havent heard of Propionic Acidemia but for one local family, their lives have become about battling it, including raising money to end the disease that threatens the life of a little girl. Gwen Mouat, is the daughter of Jennifer Buck and Tom Mouat, formerly of Pomeroy and granddaughter of Bob Buck of Pomeroy. Gwen is one of four PA survivors under the age of four who are being treated for PA at Nationwide Childrens Hospital in Columbus. This Saturday, Gwens family is organizing a corn hole tournament to fight the rare disease. Registration begins at 11 a. m.

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Article Source: espite being home to the world's largest film industry, just five years ago India was in need of better equipped film institutes. Enter veteran filmmaker Subhash Ghai, who launched Whistling Woods International, Asia's largest film, TV, animation and media arts institute. Located on 20 acres in Mumbai's Film City studio complex and sponsored by Ghai's Mukta Arts which has produced some of Bollywood's biggest hits, WWI's faculty is headed by dean John Jerome Lee, a former entertainment industry executive. Its advisory board includes acclaimed director Shyam Benegal and superstar Shah Rukh Khan, DreamWorks Animation's Shelley Page, "Elizabeth" director Shekhar Kapur and producer David Puttnam. "Almost 80% of people working in the industry don't have professional training and hence end up learning on the job, which was the impetus for us to launch WWI," says Ghai's daughter, Meghna Ghai Puri, who is also WWI's president. "It offers a unique, two year MBA in media and entertainment for people who want to be executives in areas such as marketing and finance. " Specializations include directing, cinematography and editing, along with animation and acting. Tuition is about $28,900 for the two year program. Nyay BhushanThe Australian Film, Television and Radio School has undergone some significant changes in the past two years, including the move to a new state of the art campus in Sydney's film hub and an overhaul of the courses it offers to students and established industry practitioners. The 37 year old national film school, funded annually by the Australian government with $22 million last year, holds a key position in the Australian film community with more than 2,000 graduates passing though its doors in that time. AFTRS alumni include Oscar winning cinematographers like Dion Beebe "Nine" and Andrew Lesnie "The Lovely Bones" and director Jane Campion "Bright Star".

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